Derek Webb

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Derek Webb may be the most dangerous man in the music business.

At a time when major labels are struggling to reinvent themselves, and artists are desperate to hold on to a rapidly shrinking audience that doesn’t always pay for its music, singer/songwriter Derek Webb continues to make iconoclastic, irresistible, radio-ready pop records about love and war and social justice.  However, unlike most pop artists on the scene today, Webb’s engaged, committed fan-base is constantly expanding – in part because Derek Webb has a tendency to give his music away for free.

In 2006, Webb convinced his label to give away over 80,000 free downloads of his critically acclaimed album, MOCKINGBIRD.  This widely publicized promotion more than doubled Webb’s concert audiences and eventually paved the way for Webb to launch a revolutionary, new online music distribution system, NoiseTrade.  In less than a year, NoiseTrade has put a small army of independent artists in direct contact with fans around the world who have downloaded over 1,280,000 songs from its website:  www. noisetrade.com.

Now Derek Webb is making his most controversial move yet with the release of STOCKHOLM SYNDROME, an album about race and sexuality that proved so provocative, Webb’s record company removed one of the album’s key tracks (“What Matters More”) because of it’s strong language.

In response, Webb composed a series of coded emails directing listeners to a secret website where they could piece together the missing track by playing an elaborate alternate reality game. The ARG became so popular that his record label was forced to embrace Webb’s decision to leak the track as it succeeded in making STOCKHOLM SYNDROME one of the most anticipated releases of the year.

Over two years in the making, STOCKHOLM SYNDROME delivers everything listeners have come to expect from Derek Webb: indelible hooks, soaring choruses, and lyrics as politically incisive as they are emotionally revealing.

Sonically, however, STOCKHOLM SYNDOME is a radical departure for Webb, who has left his acoustic, folk/rock roots behind for a sound he describes as “intentionally inorganic.”

“I’ve always loved folk music,” Webb says, “because of its ability to tell the story of the times we’re living live in, in a timeless way. But for me, the best folk music on the scene right now is hip-hop.  So with STOCKHOLM SYNDROME I wanted to incorporate the more urban and evocative elements of hip-hop.”

To do that, Webb reunited with his former Caedmon’s Call bandmate Josh Moore, who has since become one of the most sought-after writer/producers on the hip-hop scene, helming tracks for such artists as Bun-B, Slim Thug, Scarface, and Z-Ro.

Together, Webb and Moore have succeeded in creating a dense, richly absorbing sonic vernacular that pays homage to an entire century of Black American music – from 1920’s jazz to 1950’s doo-wop – from disco and dance music to old-school R&B — as a means of exploring issues of race and sexuality through the central metaphor of Stockholm Syndrome — illuminating the ways in which a society can fall in love with an oppressive culture and become enslaved by it.

Citing writer/producer Danger Mouse (“The Grey Album,” Gnarls Barkley, “Dark Night of the Soul”) as an influence, Webb says he and Moore made the record Gnarls Barkley-style:  “Instead of writing a dozen songs and then trying to figure out the best way to record them, Josh and I spent a year collecting sounds we loved – beats, loops, odd bits of programming – then weaving those elements into tracks that moved us and made us feel something.  Only then did we even begin to think about song structures and melodies and lyrics.  It was the total reverse of my usual process and by far the most fun I’ve ever had making a record.”

That sense of fun is palpable in every track from the sexy strut of “Black Eye” and “Cobra Con” to the glammy electropop of “Jena & Jimmy” and Webb’s ironic Fred Phelps-inspired love song, “Freddie, Please.”

STOCKHOLM SYNDROME is Derek Webb’s most soulful and subversive album yet – and the most dangerous and thrilling pop record of the year.


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safe for the whole family: the marketing of jesus

we live in a world of categories. it’s a symptom of the nearly unlimited choices which bombard us online and offline every day. things must be organized, sorted, and categorized to be manageable. while this can sometimes be incredibly helpful, in other cases it can be dangerously deceptive. 

an example of this deception is the category of “christian,” especially when used to describe goods or services. the word “christian,” when applied to anything other than a human being, is a marketing term. it’s an attempt to provide a short answer to a question for which there is no short answer. and hard as it may be, we must resist this impulse. 

but you might say, “that’s not true. there is ‘christian’ education, ‘christian’ radio stations, ‘christian’ art, and ‘christian’ stores.’” and to some extent this is true. but this is not reality as much as it is a representation of the rules that we’ve created and are currently playing by. just because you label something doesn’t make it so. but your point might be that there is a cultural context for, and understanding of, this word when used this way — therefore, it is unnecessarily disruptive to try and change this, especially when it feels more like a philosophical matter, a matter of semantics. 

i believe the stakes are much higher than simple semantics. if the word “christian” is to bear the weight we intend it to when using it in any of the above scenarios, it is more than worth our time to reconsider its meaning.

it seems to me that the two most likely intentions of using the word “christian” to describe anything other than people are:

  • the same thing we mean when we apply it to an individual: that this thing or action is “saved” or “redeemed.” while there is a sense in which all things are in the process of being made new, deeming a specific thing or action as “christian” goes beyond the scope of redemption. the reason is that when we speak of “christian” people the idea tends to be that they are “saved” and will therefore be in heaven (to the exclusion of other people). if this line of thinking is used when speaking of goods or services, it can (and should) be assumed that these also are the only goods and services we’ll find in heaven. for example, the music you hear on your local “christian” radio station will be the only music in heaven since it is the “christian” or “redeemed” music. the breath mints that you find in your local “christian” store will be the only breath mints we’ll suck on in heaven, and so on. 


this seems ridiculous, especially since the only qualifier for the “heavenly” stuff we’re referring to is a person or group of people assigning a particular marketing category. it’s as if man has created a big rubber stamp and anything that we approve of as “christian” immediately receives the welcome of the heavenly hosts into eternity. since this structure of authority runs so completely contrary to anything found in the bible, let’s move on to the second most likely definition of what is meant when describing goods or services as “christian.”

  • the thing to which we’re referring to reflects the values or “heart” of the one doing or making it. for a moment this seems plausible. the art i make is “christian” because i’m a christian and i made it. the education i’m providing is “christian” because i’m a christian and i’m providing it. but if you think about this even for a moment you realize that this also makes very little sense. as a christian man,  i am just as likely to lie or misrepresent god’s character and man’s condition in my art as anyone else. my “heart” is both redeemed and in the process of being redeemed, but what flows from it is still corrupt and corruptible. this being the case, to call my art “christian” is simply misleading. if what i make is a reflection of my “heart,” then i of all people am making “secular” art, as my “heart” is thoroughly “secular.” what i make is just as likely to be full of half-truths or lies such as art that carries no category. if this is the case, using the category “christian” in this way becomes meaningless.


while these definitions might seem illogical, here’s where it gets theological in its offense. using marketing categories in this way creates a fictional dichotomy in which there are “christian” things (read: good, right, true, beautiful) and “secular” things (read: bad, wrong, false, ugly), the idea being that you can implicitly trust and consume the “christian” things, and you would do well to fear and avoid the non-“christian” things. this sounds like a fine way to try and manipulate the behavior of a child, but this is no way for an adult to live, let alone an adult who has been set free to live and engage with all of what god has made.

while it might seem harmless to call stuff “christian” in order to sell it to those who have a cultural understanding of what you mean, it actually employs a very old form of manipulation. if you can cause someone to fear and immediately provide a remedy to that fear, you can get their money. it’s the oldest trick in the book. 

the whole idea of a “christian” store is that you can walk in and consume anything on the shelves assuming that everything is right, true, good, and beautiful. it’s all spiritually beneficial for you. you can safely leave your powers of discernment at the door. it is all “christian” stuff — do not fear. the same goes for listening to “christian” radio. they even advertise to be “safe for the whole family.” 

hopefully by now you realize that this is false advertising. those purporting to do and make “christian” things are making promises that the gospel itself does not make. there is nothing “safe” (let alone “for the whole family”) about the following of jesus. in fact, if done correctly, it’s much more likely to be quite the contrary. and worse, it excludes anything without the arbitrary stamp of “christian” to in any way speak to or about god. 

but here’s the biggest danger of the marketing category “christian”: generally, it’s a bad advertisement for god. when i look at the redwoods of california, the mountains of colorado, or the rolling hills of tennessee, i don’t see any “cheesy” art. in fact, the entire first chapter of the bible marvels at god’s tremendous creativity, making all things out of nothing and all of it being, in his opinion, “very good.” how incongruous it is to find people made in the image of the great creator, even those redeemed by him, making art that has a consistent and unfortunate reputation for being unoriginal and generally substandard, typically chasing trends found in “secular” art, and turning out “guilt-free” alternatives within a year or two of the original.

the other major issue is that the content of almost all of what is categorized as “christian” art only covers the most spiritual 2% of stuff. it mostly only deals with transcendent moments of worship and the afterlife, while the bible gives us a language and framework to speak about all 100% of what god has made. calling art “christian” when it almost completely ignores the nuances of the seemingly “non-spiritual” details of modern life is a misrepresentation of god and his bible.

here’s a good rule of thumb for young artists struggling to understand what is permissible in making art: anything that jesus is lord of, you can and should make art about. and i hope that is rhetorical, since jesus is lord of all things (not just the most spiritual 2%). bono, the lead singer of u2 and a professed christian, was once criticized for sensual content in a u2 song. his response was, “are we going to let pornographers have the last word on sexuality?” culture is speaking on a wide range of topics, therefore those who claim to be in relationship with the one who made all things must make art about relationships, spirituality, family, the government, sexuality, everything. we must tell complete stories, not just the most “spiritual” parts, believing that that is the only content suitable to be called “christian.”

i simply do not believe that god can only use and speak through things that we rubber stamp as “christian.” nor do i believe that jesus wants us to live in fear, especially fear impressed upon us by those in our culture claiming to do so in his name. nor do i believe in our subculture’s system of false security, that god wants us to put our faith and security in marketing terms rather than in jesus, whose spirit both gives and animates our powers of discernment. exercising our discernment liberates us to live in the world god has made and engage with his creation without fear or dependence on meaningless words.

this is why we must stop trying to give short answers to complex questions. if the term “christian” must be applied to goods & services, to music & media, to education & literature, let it only and always be a public verdict rather than a self-description. and if we must categorize art, let’s use terms that actually make sense. art is either “good” or “bad,” and not everyone will have the same definitions of these terms (nor should they, considering the subjective nature of art). you may find some art that is “bad” that you might consider “christian,” and some art  that is “good” that you consider “secular.” i recommend that you consume what is “good” and avoid what is “bad.” put no trust in people selling you safety. don’t trust me. discern everything, all the time. but do not fear. do not be afraid.

on alcohol, liberty & the digitizing of the sanctification process

as you may know, i can be a little cavalier online.  which is to say, i tend to be cavalier in my life and try to give honest slices when communicating online.  and i honestly feel this is part of my job.  growing up i often heard fear-driven overstatements from people in spiritual leadership when it came to sensitive issues of conscience, namely alcohol consumption.  what i seldom saw were tangible examples of engagement and moderation, especially since attempts at championing moderation might have resulted in serious disappointment and public embarrassment.  

 

but this is the risk we run while attempting to live in the mystery of the spirit rather than taking the easier route of constructing for ourselves a new law by which we can appease god, let alone satisfy our own consciences.  and so, if i am destined to err on one side or the other, i very much prefer erring on the side of engaging with and enjoying all that god has made (even if that means identifying the line of reasonable moderation as it passes beneath my feet) to living in fear of god’s good gifts and missing them entirely.  

 

as i have admittedly danced all over this line in a cycle of enjoyment and regret, i have probably landed on both sides of it an equal amount of times.  and sometimes very publicly, thanks to modern megaphones like twitter & facebook (which i both enjoy and use voluntarily and willingly).  i feel it would be more a cause for repentance if i were misrepresenting my journey in this regard than attempting to state it plainly (as i seek to do) even if the result is occasionally showing myself to be nothing like the savior whose name i accept as my own (after all, it seems the point of a public ‘christian life’ must be less about appearing like jesus as it is about appearing as one who needs jesus).  

 

so mine is another brand of repentance.  as i have considered the sensitivity of these issues and the very new development and complication of the public, decontextualized, and digitized sanctification process, i have come to a decision.  i will no longer publicly discuss drinking alcohol online.  and not because i don’t feel, as a 37 year old adult, that i am at liberty to do so (both drink and speak about drinking alcohol).  rather, i feel that my doing so is incredibly insensitive to those who might struggle with drugs or alcohol, especially those in recovery (including some in my own family).  it’s simply not worth the point that i would hope to make.  

 

but i will continue to try and make it, as i believe it’s worth making (if for no other reason than the precedent it sets for other issues of conscience), just not in a way that lacks the proper context to keep my struggling brothers and sisters from harm.  and for all the ways i have spectacularly failed at this, i repent and ask your forgiveness.  

 

so here’s hoping you’re in an especially forgiving mood today.  regardless, if given the chance, i’m sure i’ll come up with some other means of disappointing you.  until then, cheers folks-

derek

This Too Shall Be Made Right: Christmas & World Vision

as you may know, i’ve been both officially and personally supporting the work of world vision since the beginning of last year.  i love both their methods and motivations for caring for the poorest children in the world.  this is why, for the month of december i’m offering a special incentive to those who sponsor children through world vision.  

the first 10 people to email me with the name of their world vision sponsored child (this is for new sponsorships only) and their own home address will receive hand written lyrics to my song ‘this too shall be made right,’ suitable for framing, gifting, or keeping.  anyone else signing up for new sponsorships during the month of december can email me this same information and receive printed and autographed lyrics to the same song.

i sincerely hope this might cause many of you to investigate the work of world vision and consider sponsoring a child this month.  what a tremendous christmas gift this will make for not only that child and their family but also for you and yours. 

please join me in supporting world vision and caring for the world’s poorest children. 

derek

interested?  where’s what you do:

UPDATE:  all of the hand-written lyrics have been spoken for, but there’s still time till the end of december to get an autographed printed copy of the lyrics.  please consider sponsoring a child this month.